While not an album you can pull a track off and listen to in isolation, it is an album that has strength in numbers, stronger than the sum of its parts when listened to together. With no valleys or peaks, the album gets lost in the middle and as a result doesn't stand out.ĭancing Undercover is an admirable attempt at shifting up the sound Ratt had helped shape up until this point, creating an album that is strong and different with neither taking preference over the other. 1986 1986’s Dancing Undercover was Ratt’s third consecutive platinum album in as many years, but the good times couldn’t go on forever.The band found the middle ground between creating classics at the expense of a few filler tracks to creating neither in this instance, it doesn't seem to enamour itself with me. Find products of Tailor-made T-Shirts with. A unique accessory for casual, work, or travel. It's an enjoyable spin every once in a while, but no tracks demand regular listening. Quality ratt-dancing undercover with free worldwide shipping. Where does the album fall flat? The album is full of strong tracks, but none of them are more than that it's an enjoyable listen, but I couldn't point to a song that I'd be desperate to hear again. I would say pick a track at random and you'll find something to the song you will enjoy. Blotzer keeps rhythm ok, but he sounds mechanical, with no flair or personality to be heard in his playing.Īll the songs are equally good, with none I could point to as standing above the rest this is an admirable quality, as it is the first album by the band I don't feel the need to skip a track. Croucier's bass is underrated, holding down the rhythm while not tying himself at the hip to Blotzer's drums, which is a good thing as the drums are probably the weak point. DeMartini and Crosby throw out some very enjoyable solos throughout this album, though no outstanding riffs. The decision to alter their sound does go a long way to highlighting the talent of the ban, they weren't the slouches on their instruments that was sometimes the case in the 80s. Tracks like "Looking For Love" manage to bridge the band's glam roots with a deeper musical tone that makes for compelling listening. Does the shift in style suit the band? In short, yes. The band move from the pop end of the glam spectrum to a spot near W.A.S.P., still glam but with a heavier tone. Many commentators regard the shift in sound on this album as taking in heavier tones akin to thrash metal and point to "Body Talk" as a kind of proto-glam thrash song it is an exaggeration heavier than their previous work for sure, but this isn't Slayer by a wide margin. With their party hearty lifestyle also serving as the subject matter for much of. A good effort and enjoyable listen, Dancing Undercover is an admirable attempt at shifting the band's sound. With two back to back hit albums behind it (OUT OF THE CELLAR and INVASION OF YOUR PRIVACY), Ratt found itself near the top of the 1980s hard rock heap. Featuring a more hard rock tone, Dancing Undercover started the band's forays into adding new flavours to their glam sound that would carry on until their break up five years later. Dancing Undercover saw sunset strip alumni Ratt make slight changes to their formula on this third studio outing.
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